Selected Solo Exhibitions
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2015
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Mount Holyoke College Art Museum; South Hadley, Massachusetts
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Craig F. Starr Gallery, New York
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Marc Selwyn Fine Art; Los Angeles, California
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2014
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The Jewish Museum, New York
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|
Simon Lee Gallery; London, England
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Barbara Krakow Gallery; Boston, Massachusetts
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2013
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Peter Freeman, Inc., New York
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|
Haus der Kunst; Munich, Germany
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Museu de Arte Contemporânea de Serralves; Porto, Portugal
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2012
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Whitechapel Gallery; London, England
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Karsten Schubert Gallery; London, England
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Egeran Gallery; Istanbul, Turkey
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Marc Selwyn Fine Art; Los Angeles, California
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Quint Contemporary Art; La Jolla, California
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2011
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National Gallery of Art; Washington, D.C.
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Peter Freeman, Inc., New York
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2010
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Galerie Nelson Freeman; Paris, France
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Marc Selwyn Fine Art; Los Angeles, California
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Fraenkel Gallery; San Francisco, California
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2009
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Metroquadro; Rivoli, Italy
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|
Lawrence Markey Inc.; San Antonio, Texas
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Rhona Hoffman Gallery; Chicago, Illinois
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2008
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Peter Freeman, Inc., New York
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|
Marc Selwyn Fine Art; Los Angeles, California
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2007
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Galerie Nelson Freeman; Paris, France
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Galleria d’Arte il Gabbiano; Rome, Italy
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Quint Contemporary Art; La Jolla, California
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Domaine de Kerguéhennec; Bignan, France
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2006
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Spertus Museum; Chicago, Illinois
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|
Rhona Hoffman Gallery; Chicago, Illinois
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Peter Freeman, Inc., New York
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Wynn Kramarsky, New York
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Art Institute of Chicago; Chicago, Illinois
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2004
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Regina Gouger Miller Gallery, Carnegie Mellon University; Pittsburgh, Pennsylvania
|
2003
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Barbara Krakow Gallery; Boston, Massachusetts
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Musée d’art Moderne et Contemporain; Geneva, Switzerland
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Galleria d’Arte il Gabbiano; Rome, Italy
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Sonnabend Gallery, New York
|
2002
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Harvard University Art Museum; Cambridge, Massachusetts
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Akira Ikeda Gallery; Berlin, Germany
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Carnegie Museum of Art; Pittsburgh, Pennsylvania
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Michael Carlos Museum, Emory University; Atlanta, Georgia
|
2001
|
Grant Selwyn Fine Art; Beverly Hills, California
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Akira Ikeda Gallery; Nagoya, Japan Galleria Primo Piano; Rome, Italy
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|
Lawrence Markey Inc., New York
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Bound & Unbound, New York
|
2000
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Grant Selwyn Fine Art; Beverly Hills, California
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|
FRAC Bourgogne; Dijon, France
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Sonnabend Gallery, New York
|
1999
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Centro de Arte Hélio Oiticica; Rio de Janeiro, Brazil
|
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Akira Ikeda Gallery; Yokosuka, Japan
|
1998
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Lawrence Markey Inc., New York
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|
Betsy Senior Gallery, New York
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|
The Drawing Center, New York
|
1997
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Cabinet des estampes du Musée d’art et d’histoire; Geneva, Switzerland
|
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Musée d’art Moderne et Contemporain; Geneva, Switzerland
|
1996
|
Sonnabend Gallery, New York
|
|
Galerie Tanit; Munich, Germany
|
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La Société des Exposition du Palais des Beaux-Arts; Brussels, Belgium
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Städtische Galerie im Lenbachhaus; Munich, Germany
|
1995
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Betsy Senior Gallery, New York
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Yale University Art Gallery; New Haven, Connecticut
|
1994
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Galerie Arnaud Lefebre; Paris, France
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1993
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Sonnabend Gallery, New York
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|
Betsy Senior Gallery, New York
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Gallery 360; Tokyo, Japan
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One Five; Antwerp, Belgium
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Museo Storico della Liberazione di Roma; Rome, Italy
|
1992
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Galerie Vega; Plainevaux/Liege, Belgium
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Thomas Segal Gallery; Boston, Massachusetts
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1991
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SteinGladstone, New York
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Studio Casoli; Milan, Italy
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The Butler Institute of American Art; Youngstown, Ohio
|
1990
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David Nolan Gallery, New York
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Galleria Primo Piano; Rome, Italy
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Galerie Jahn und Fusban; Munich, Germany
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Barbara Kornblatt Gallery; Washington, D.C.
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Roger Ramsey Gallery; Chicago, Illinois
|
1989
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Sonnabend Gallery, New York
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|
The Baltimore Museum of Art; Baltimore, Maryland
|
1988
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Martina Hamilton Gallery, New York
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|
Paul Cava Gallery; Philadelphia, Pennsylvania
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|
David Nolan Gallery, New York
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Greene Gallery; Coral Gables, Florida
|
1987
|
Sonnabend Gallery, New York
|
|
Center for the Fine Arts; Miami, Florida
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|
Galerie Montenay; Paris, France
|
1986
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Kunstmuseum; Luzern, Switzerland
|
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Galleria Primo Piano; Rome, Italy
|
1985
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Sonnabend Gallery, New York
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|
Janet Steinberg Gallery; San Francisco, California
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|
Carnegie Mellon University Art Gallery; Pittsburgh, Pennsylvania
|
1984
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Roger Ramsay Gallery; Chicago, Illinois
|
1983
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Yarlow Salzman Gallery; Toronto, Canada
|
|
Daniel Weinberg Gallery; San Francisco, California
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|
Pace Editions, New York
|
|
Carol Taylor Gallery; Dallas, Texas
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|
Sonnabend Gallery, New York
|
1982
|
Sonnabend Gallery, New York
|
|
Abbaye de Senanque; Gordes, France
|
1981
|
Texas Gallery; Houston, Texas
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|
Daniel Weinberg Gallery; San Francisco, California
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Southern Methodist University; Dallas, Texas
|
1980
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Sonnabend Gallery, New York
|
1979
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Art in Progress Gallery; Düsseldorf, Germany
|
1978
|
Sonnabend Gallery, New York
|
|
Daniel Weinberg Gallery; San Francisco, California
|
|
Schema Gallery; Florence, Italy
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|
Sonnabend Gallery; Paris, France
|
1977
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The Bernier Gallery; Athens, Greece
|
1976
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Sonnabend Gallery, New York
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|
Baltimore Museum of Art; Baltimore, Maryland
|
1975
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Sonnabend Gallery, New York
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|
Ricke Gallery; Cologne, Germany
|
1974
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Sonnabend Gallery; Paris, France
|
|
Schema Gallery; Florence, Italy
|
|
University Art Museum; Berkley, California
|
1973
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Sonnabend Gallery, New York
|
|
Sonnabend Gallery; Paris, France
|
1972
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MTL Gallery; Brussels, Belgium
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|
Sonnabend Gallery, New York
|
|
Lisson Gallery; London, England
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|
Bonomo Gallery; Bari, Italy
|
|
Sonnabend Gallery; Paris, France
|
|
Toselli Gallery; Milan, Italy
|
1971
|
112 Greene Street, New York
|
|
The Museum of Modern Art, New York
|
1970
|
Sperone Gallery; Turin, Italy
|
|
Toselli Gallery; Milan, Italy
|
|
Art and Project Gallery; Amsterdam, The Netherlands
|
1969
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Heiner Friedrich Gallery; Munich, Germany
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|
Konrad Fischer Gallery; Düsseldorf, Germany
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Ace Gallery; Los Angeles, California
|
1966
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School of Visual Arts Gallery, New York
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Selected Group Exhibitions
|
2016
|
"Manifesta 11; The European Biennial of Contemporary Art," Löwenbräukunst; Zurich, Switzerland
|
|
"Mel Bochner and Alighiero Boetti; Verba Volant Scripta Manent," TOTAH, New York
|
|
Greater New York, MoMA PS1; Long Island City, New York
|
|
"Dimensions Variables; Artists and Architecture," Pavillon de l’Arsenal; Paris, France
|
|
"Museum of Stones," The Noguchi Museum; Long Island City, New York
|
2015
|
"Boolean Expressions: Contemporary Art and Mathematical Data," The Lewis Glucksman Gallery; Cork, Ireland
|
|
"Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art (After Bochner)," Conceptual Art Centre Bukovje/Landskrona; Võru, Estonia
|
|
"Pangrammar Part II," P! Gallery, New York
|
|
"The Self: Portraits of the Artists in their Absence," National Academy Museum, New York
|
|
"Twenty by Sixteen," Morgan Lehman Gallery, New York
|
2014
|
"Une lettre arrive toujours à destinations," La Panacée; Montpellier, France
|
|
"Art by Telephone…Recalled," La Panacée; Montpellier, France
|
|
"Nouveau Festival," Centre Pompidou, France
|
2013
|
"Ileana Sonnabend: Ambassador for the New," Museum of Modern Art, New York
|
|
"The Ceiling Should Be Green," P! Gallery, New York
|
|
"Xerography," Firstsite; Colchester, UK
|
|
"Re-Making When Attitudes Become Form," Fondazione Prada; Milan, Italy
|
|
"Sign, Image, Object," 21er Haus; Vienna, Austria
|
|
"Temptations of The Diagram," Andrea Rosen Gallery 2, New York
|
|
"Merci/Mercy," Restoin Roitfeld Gallery, New York
|
2012
|
"A Window on the World," Museo d’Arte; Lugano, Switzerland
|
|
"Notations: Contemporary Drawing as Idea and Process," Kemper Art Museum; St. Louis, Missouri
|
|
"Second Nature: Abstract Photography Then and Now," deCordova Museum; Lincoln, Massachusetts
|
|
"Minimal Myth," Museum Boijmans Van Beuningen; Rotterdam, The Netherlands
|
|
"Toward A Warm Math," On Stellar Rays, New York
|
|
"Alice in the Wonderland of Art," Hamburger Kunsthalle; Hamburg, Germany
|
2011
|
"Alice in Wonderland," Tate Liverpool; Liverpool, England
|
|
"The Private Collection of Robert Rauschenberg," Gagosian Gallery, New York
|
|
"Malevich and the American Legacy," Gagosian Gallery, New York
|
|
"Systems, Actions, and Processes, 1965–1975," Fundacion Proa; Buenos Aires, Argentina
|
|
"Art=Text=Art," University of Richmond Museum; Richmond, Virginia
|
|
"Light Years: Conceptual Art and the Photograph, 1964–1977," Art Institute of Chicago; Chicago, Illinois
|
|
"Drawings from the Collection of Irving Stenn, Jr.," Art Institute of Chicago; Chicago, Illinois
|
|
"Arte Povera International," Castello di Rivoli; Turin, Italy
|
2010
|
"Third Thoughts," CCA Andtrax; Majorca, Spain
|
|
"Forms of Contingency: New York and Turin, 1960s–1970s," Philadelphia Museum; Philadelphia, Pennsylvania
|
|
"Sammlung Herman und Nicole Daled, 1966–1978," Haus der Kunst; Munich, Germany
|
|
"Graphic Masters III," Smithsonian American Art Museum; Washington D.C.
|
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"Double Bind/Stop Trying To Understand Me," Villa Arson; Nice, France
|
2009
|
"1969," PS1 Contemporary Art Center, New York
|
|
"If We Could Imagine," Glenstone Foundation; Potomac, Maryland
|
|
"Target Practice: Painting Under Attack 1949–78," Seattle Art Museum; Seattle, Washington
|
|
"Inventing Marcel Duchamp: The Dynamics of Portraiture," National Portrait Gallery; Washington D.C.
|
|
"Sculpture Show," Eastside Projects; Birmingham, England
|
2008
|
"Close-Up," The Fruitmarket Gallery; Edinburgh, Scotland
|
|
"Notation," Akademie der Kunste; Berlin, Germany; Zentrum fur Kunst; Karlsruhe, Germany
|
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"Mel Bochner, Alighiero Boetti, Hanne Darboven," Collège Jacques Cartier; Chauny, France
|
|
"Genau und Anders," Museum Ludwig; Vienna, Austria
|
2007
|
"Lines, Grids, Stains, and Words," The Museum of Modern Art, New York
|
|
"Conceptual Photography, 1964–1989," Zwirner & Wirth, New York
|
|
"If Everybody Had an Ocean: Brian Wilson, an Art Exhibition," Tate St Ives; St Ives, England
|
|
"Magritte and Contemporary Art: The Treachery of Images," Los Angeles
|
|
County Museum of Art; Los Angeles, California
|
2006
|
"Nothing and Everything," Peter Freeman, Inc., New York
|
|
"Mel Bochner/Alfred Jensen: Hommage to Pythagoras," Marc Selwyn Fine Art; Los Angeles, California
|
2005
|
"Logical Conclusions," PaceWildenstein Gallery, New York
|
|
"Drawing From the Modern, 1945–1975," The Museum of Modern Art, New York
|
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"Open Systems: Rethinking Art c.1970," Tate Modern; London, England
|
|
"Wordplay," Julie Saul Gallery, New York
|
|
"Down The Garden Path: The Artist’s Garden After Modernism," Queens Museum, New York
|
|
"Threshold," Max Wigram Gallery; London, England
|
|
"Rub Out The Word," Dumbo Arts Center; Brooklyn, New York
|
|
"Looking At Words," Andrea Rosen Gallery, New York
|
|
"Building and Breaking the Grid," Whitney Museum of American Art, New York
|
|
"The Top Room," Chelsea College of Art and Design; London, England
|
2004
|
"A Minimal Future?," Los Angeles Museum of Contemporary Art; Los Angeles, California
|
|
Whitney Biennial, Whitney Museum of American Art, New York
|
|
"Beyond Geometry," Los Angeles County Museum of Art; Los Angeles, California
|
|
"Intra-Muros," Musée d’Art Moderne et d’Art Contemporain; Nice, France
|
|
"Traces," National Museum of Modern Art; Kyoto, Japan
|
2003
|
"Pittsburgh Platforms," Carnegie Museum of Art; Pittsburgh, Pennsylvania
|
|
"Work Ethic," Baltimore Museum of Art; Baltimore, Maryland
|
|
"The Last Picture Show: Artists Using Photography 1960–1982," Walker Art Center; Minneapolis, Minnesota
|
|
"Under Pressure: Prints from Two Palms Press," The Cooper Union, New York
|
2002
|
"Flashing Into the Shadows: The Artists’ Film 1966–1976," Tate Modern; London, England
|
|
"Copy," Roth Horowitz Gallery, New York
|
|
"Ad Infinitum," Wynn Kramarsky, 560 Broadway, New York
|
|
"The Object Sculpture," Henry Moore Institute; Leeds, England
|
|
"Visions from America," Whitney Museum of American Art, New York
|
|
"Shimmering Substance," Arnolfini Gallery; Bristol, England
|
2001
|
"Art Express: Art Minimal et Conceptual Americain," Cabinet des Estampes du Musée d’art et d’histoire; Geneva, Switzerland
|
|
"Saying Seeing," Leo Castelli Gallery, New York
|
|
"As Painting, Division and Displacement," Wexner Center for the Arts; Columbus, Ohio
|
|
"Flashing Into the Shadows: The Artist’s Film After Pop and Minimalisim 1966–1976," Whitney Museum of American Art, New York
|
2000
|
"Contemporary Drawings from the Sarah-Ann and Werner Kramarsky Collection," Southern Methodist University; Dallas, Texas
|
|
"Zig–Zag, FRAC Picardie; Amiens, France"
|
|
"Retrospective," Sonnabend Gallery, New York
|
|
"Open Ends," The Museum of Modern Art, New York
|
|
"In Process," Curt Marcus Gallery, New York
|
1999
|
"The American Century: Art and Culture 1900–2000 (Part II, 1950–2000)," Whitney Museum of American Art, New York
|
|
"Circa 1968," Museu de Arte Contemporânea de Serralves; Porto, Portugal
|
|
"After Image: Drawing Through Process," The Museum of Contemporary Art; Los Angeles, California
|
|
"Drawn to Scale," Dieu Donne Gallery, New York
|
|
"Drawings from the 1970s," Lawrence Markey Inc., New York
|
|
"Drawings from the 1960s," Curt Marcus Gallery, New York
|
1998
|
"The Serial Attitude," Addison Gallery of American Art; Andover, Massachusetts
|
|
Wexner Center for the Arts; Columbus, Ohio
|
|
"Paper Plus," Dieu Donne Gallery, New York
|
|
"Deep Thought," Basilico Fine Arts, New York
|
|
"More Pieces for the Puzzle; Recent Additions to the Collection," The Museum of Modern Art, New York
|
1997
|
"Gravity-Axis of Contemporary Art," National Museum of Art; Osaka, Japan
|
|
"Drawing is another kind of language," Fogg Art Museum; Cambridge, Massachusetts
|
|
"One-Line Drawing," Ubu Gallery, New York
|
|
"Laying Low: Postminimalism/Scatter Art," Kunstnernes Hus; Oslo, Norway
|
|
"Au pied du mur," FRAC Picardie; Amiens, France
|
|
"Magie der Zahl," Staatsgalerie Stuttgart; Stuttgart, Germany
|
1996
|
"Limited Edition Artists Books Since 1990," Brooke Alexander Gallery, New York
|
|
"The Robert and Jane Meyerhoff Collection: 1945–1995," National Gallery of Art; Washington, D.C.
|
|
"Two-part exhibition: From Figure to Object: A Century of Sculptors’ Drawings," Frith Street Gallery and Karsten Schubert; London, England
|
|
"Sammlung Sonnabend," Deichtorhallen Hamburg; Hamburg, Germany
|
|
"L’informe: mode d’emploi," Centre Georges Pompidou; Paris, France
|
|
"Thinking Print: Books to Billboards, 1980–95," The Museum of Modern Art, New York
|
1995
|
"Mapping: A Response to MoMA," American Fine Arts, New York
|
|
"1965–1995: Reconsidering the Object of Art," The Museum of Contemporary Art; Los Angeles, California
|
|
"Repicturing Abstraction: The Politics of Space," Virginia Commonwealth University; Richmond, Virginia
|
|
"Drawing on Chance: Selections from the Collection," The Museum of Modern Art, New York
|
|
"Printmaking in America: 1960–1990," Block Gallery, Northwestern University; Evanston, Illinois
|
1994
|
"A Century of Artists Books," The Museum of Modern Art, New York
|
|
"Extended Relations," Andrea Rosen Gallery, New York
|
|
"From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection," National Gallery of Art; Washington D.C.
|
|
"Location I: Bickerton, Bochner, Morris," Basilico Fine Arts, New York
|
1993
|
"A Matchbox Enclosed," Yavne Art Workshop; Yavne, Israel
|
|
"The American Livre de Peintre," Grolier Club, New York
|
|
"Do All Roads Lead to Rome?," Palazzo delle Esposizioni; Rome, Italy
|
1992
|
"Arte Americana 1930–1970," Lingotto; Turin, Italy
|
|
"Marking The Decades: Prints 1960–1990," Baltimore Museum of Art; Baltimore, Maryland
|
|
"Bochner, Chung, LeWitt," Galleria Primo Piano; Rome, Italy
|
|
"Postcards from Alphaville: Jean-Luc Godard in Contemporary Art 1963–1992," PS1 Museum, New York
|
1991
|
"A view from the 60s: Selections from the Castelli and Sonnabend Collections," Guild Hall Museum; East Hampton, New York
|
|
"Dots," Angles Gallery; Santa Monica, California
|
|
"American Abstraction," Addison Gallery of American Art; Andover, Massachusetts
|
|
"Immaterial Objects," Whitney Museum at Equitable Center, New York
|
|
"Motion and Document/Sequence and Time: Eadweard Muybridge and Contemporary American Photography," organized by the Addison Gallery of American Art; Andover, Massachusetts
|
1990
|
"Amerikanische Zeichnungen in den Achtziger Jahren," Albertina Museum; Vienna, Austria; and Museum Morsbroich; Leverkusen, Germany
|
|
"Invitational Exhibition of Painting and Sculpture," American Academy and Institute of Arts and Letters, New York
|
|
"Concept Art, Minimal Art: Sammlung Marzona," Kunsthalle Bielefeld; Bielefeld, Germany
|
|
"Minimalism and Post-Minimalism: Drawing Distinctions," Hood Museum; Dartmouth, New Hampshire
|
|
"The Unique Print," Museum of Fine Arts; Boston, Massachusetts
|
|
"Art Conceptual, Formes Conceptuelles," Galerie 1900–2000; Paris, France
|
|
"Mel Bochner, Peter Halley, Robert Rauschenberg," Sonnabend Gallery, New York
|
1989
|
"l’Art Conceptuel, Une Perspective," Musée d’Art moderne de la Ville de Paris; Paris, France; and La Fundacion Caja de Pensiones; Madrid, Spain
|
|
"Conspicuous Display," Stedman Art Gallery, Rutgers University; Camden, New Jersey
|
|
"Lines & Geometry," Rickey Renier Gallery; Chicago, Illinois
|
|
"Projects and Portfolios, The 25th National Print Exhibition," Brooklyn Museum; Brooklyn, New York
|
|
"Immaterial Objects," organized by the Whitney Museum of American Art, New York and travelling to the Museum of Art; Raleigh, North Carolina; Albany Museum of Art; Albany, Georgia; and San Jose Museum of Art; San Jose, California
|
1988
|
"Raw Materials," Althea Viafora Gallery, New York
|
|
"Collection Sonnabend," Centro de Arte Reina Sofia, Madrid, Spain; CAPC, Musée D’Art Contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof, Berlin, Germany; Galleria Nazionale d’Arte Moderna, Rome, Italy; Museo d’Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva, Switzerland; Sezon Museum of Modern Art, Tokyo, Japan; Miyagi Museum of Art, Sendai, Japan; and The Fukuyama Museum of Art, Hiroshima, Japan
|
|
"Amerikanishce Druckgraphik: Recent American Prints," Galerie Fred Jahn; Munich, Germany
|
|
"Systems and Abstraction," Leubsdorf Gallery, Hunter College, New York
|
|
"Turning Point; Art and Politics in 1968," Lehman College Gallery; Bronx, New York
|
1987
|
"The Shape of Abstraction," Russell Sage College; Albany, New York
|
|
"This is not a Photograph; 20 Years of Large-Scale Photography, 1966–1986," The John and Mable Ringling Museum of Art; Sarasota, Florida; and Akron Art Museum, Akron, Ohio
|
|
"1967: At the Crossroads," The Institute of Contemporary Art, University of Pennsylvania; Philadelphia, Pennsylvania
|
|
"Reconnecting," Detroit Institute of Arts; Detroit, Michigan
|
|
"Points of Contact," Laurie Rubin Gallery, New York
|
1986
|
"Spirit Tracks: Big Abstract Drawing," Pratt Institute Gallery; Brooklyn, New York
|
|
"An American Renaissance: Painting & Sculpture Since 1940," Museum of Art; Fort Lauderdale, Florida
|
|
"Contemporary Issues III: Robert and Nancy Kaye Collection," Holman Hall Art Gallery, Trenton State College; Trenton, New Jersey
|
1985
|
"The Maximal Implications of the Minimal Line," Bard College; Annandale on Hudson, New York
|
|
"New Abstraction," Milwaukee Art Museum; Milwaukee, Wisconsin
|
|
"Drawings," Daniel Weinberg Gallery; Los Angeles, California
|
1984
|
"Viewpoint ’84," Cranbrook Academy of Art Museum; Bloomfield Hills, Michigan
|
|
"Vanishing Points," Moderna Museet; Stockholm, Sweden
|
1983
|
"Minimalism to Expressionism," Whitney Museum of American Art, New York
|
|
"Sculptors as Draftsmen," Whitney Museum of American Art, New York
|
1982
|
"74th American Exhibition," Chicago Art Institute; Chicago, Illinois
|
|
"Prints by Contemporary Sculptors," Yale University Art Gallery; New Haven, Connecticut
|
|
"One, Two, Three," Musée des Beaux Arts; Besancon, France
|
1981
|
"Murs," Centre Georges Pompidou; Paris, France
|
1980
|
"Mel Bochner/Richard Serra," Massachusetts Institute of Technology; Cambridge, Massachusetts
|
|
"Explorations in the 70s," Pittsburgh Plan for Art; Pittsburgh, Pennsylvania
|
1979
|
Whitney Biennial, Whitney Museum of American Art, New York
|
|
"The Minimal Tradition," Aldrich Museum of Contemporary Art; Ridgefield, Connecticut
|
|
"Pittura Ambiente," Palazzo Reale; Milan, Italy
|
|
"The Decade in Review," Whitney Museum of American Art, New York
|
|
"Oeuvres Contemporaines des Collections Nationales," Centre Georges Pompidou; Paris, France
|
1978
|
"Eight Artists," Philadelphia Museum of Art; Philadelphia, Pennsylvania
|
|
"Contemporary Drawing/New York," University of California Museum; Santa Barbara, California
|
|
"Numerals 1924–1977," Leo Castelli Gallery, New York
|
|
"Three Installations: Acconci, Bochner, Le Va," Tampa Bay Art Center; Tampa, Florida
|
1977
|
Whitney Biennial, Whitney Museum of American Art, New York
|
|
"Ten Years," Museum of Contemporary Art; Chicago, Illinois
|
|
"Photonotations II," Rosa Esman Gallery, New York
|
|
"Acconci/Bochner/Le Va," Sonnabend Gallery, New York
|
1976
|
"Drawing Now," The Museum of Modern Art, New York
|
|
"Photonotations," Rosa Esman Gallery, New York
|
|
"Seventy-Second American Exhibition," Chicago Art Institute; Chicago, Illinois
|
|
"Fourteen Artists: The New Decade," Fort Worth Museum; Fort Worth, Texas; and Detroit Institute of Art; Detroit, Michigan
|
1975
|
"Bochner, Le Va, Rockburne, Tuttle," The Contemporary Arts Center; Cincinnati, Ohio
|
|
"Print Sequence," The Museum of Modern Art, New York
|
|
"Drawings 3, American Drawings," Museum Leverkusen; Leverkusen, Germany
|
|
"The New Image," High Museum; Atlanta, Georgia
|
|
"Fourteen Artists: The New Decade," Baltimore Museum of Art; Baltimore, Maryland
|
|
"Prints," Art Gallery of Ontario; Ontario, Canada
|
1974
|
"Line as Language," Princeton Art Museum; Princeton, New Jersey
|
|
"Some Recent American Art," organized by The Museum of Modern Art, New York and travelling to: National Gallery of Victoria, Melbourne, Australia; West Australian Art Gallery, Perth, Australia; Art Gallery of New South Wales, Sydney, Australia; Art Gallery of South Australia, Adelaide, Australia; and City of Auckland Art Gallery, Auckland, New Zealand
|
|
"Idea & Image," Art Institute of Chicago; Chicago, Illinois
|
|
"Project ’74," Wallraf-Richartz Museum; Cologne, Germany
|
1973
|
Festival d’Automne à Paris; Paris, France
|
|
"New American Graphic Art," Fogg Museum, Harvard University; Cambridge, Massachusetts
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"American Art, Third Quarter Century," Seattle Museum of Art; Seattle, Washington
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"American Drawings," Whitney Museum of American Art, New York
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"2d into 3d," New York Cultural Center, New York
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"Contemporanea," Parcheggio di Villa Borghese; Rome, Italy
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1972
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"420 West Broadway at the Spoleto Festival;" Spoleto, Italy
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"dOCUMENTA (5);" Kassel, Germany
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"13 Artists Chosen for Documenta," Sonnabend Gallery, New York
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"Konzept-Kunst, Kunstmuseum; Basel, Switzerland"
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1971
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"Situation Concepts," Gallerie Nächst St. Stephen; Vienna, Austria
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1970
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"Information," The Museum of Modern Art, New York
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"Conceptual Art/Arte Povera/Land Art," Museo Civico d’Arte Moderna; Turin, Italy
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"Conceptual Art and Conceptual Aspects," New York Cultural Center, New York
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"Using Walls," The Jewish Museum, New York
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"Art in the Mind," Allen Memorial Museum; Oberlin, Ohio
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"Language IV," Dwan Gallery, New York
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"Artists and Photographs," Multiples Gallery, New York
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"Recorded Activities," Moore College; Philadelphia, Pennsylvania
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1969
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"Art in Progress IV," Finch College Museum of Art, New York
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"When Attitudes Become Form," Kunsthalle Bern; Bern, Switzerland
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"Konzeption/Conception,"Museum Leverkusen; Leverkusen, Germany
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"577,087," Seattle Art Museum; Seattle, Washington
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1968
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"Language II," Dwan Gallery, New York
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"No.7," Paula Cooper Gallery, New York
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"Group Exhibition," Bykert Gallery, New York
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"Rejective Art," organized by American Federation of Arts, New York
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1967
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"Art in Series," Finch College Museum of Art, New York
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"Scale Models and Drawings," Dwan Gallery, New York
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"Monuments," Museum of Contemporary Crafts, New York
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